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The first country album to sell a million copies featured many previously released songs by Waylon Jennings, Willie Nelson, Tompall Glaser and Jennings' wife Jessi Colter.But unifying the songs under the theme of outlaw country -- a concept gaining national traction -- made this album a runaway hit.

This porcelain-sheen headshot was an exquisite introduction to the wonder of her music."That was really important to her." She just wanted to "let loose and not necessarily feel like she's playing Britney Spears."They decided on a send-up of 1988 sci-fi comedy Earth Girls Are Easy,starring Geena Davis, who Azalea considers the "ultimate '80s pin-up, hot, cool type of girl."In the video, which shot in Los Angeles earlier this month, "I do a makeover for her and we go to a club," Spears says."The best part about it was just us coming together with the clothes and doing the '80s haircuts. It didn’t stick, since this burst of punk artwork quickly became iconic.The album art controversy even fed into its advertising campaign, with some ads reading, "The album will last.She's a very down-to-earth girl and very, very sweet," Spears says.

"She introduced me to her dog, we had wonderful salad and it was just fun girl time."They also brainstormed the concept for the Pretty Girls video, out May 11 and co-directed by Azalea and Cameron Duddy (Bruno Mars' Gorilla)."What Britney made clear to me is that she really wanted to do a video where she got to dress up and play a character," Azalea says.

Buried up to her neck, the real twist comes when you turn the album over -- where her head is on the front, there’s a skull on the back. ) remembered for taking nude photos of a very underage Brooke Shields, Garry Gross' cover photo for Whitney Houston's self-titled debut stands out as a beautifully less-is-more image in the visually explosive MTV era.

Wearing a simple, timeless toga with pearls, she announced herself to the world as a class act whose elegant ferocity went beyond any fashion trend. Only the band's Stevie Nicks (caught mid-swirl with a shawl flowing behind her) and Mick Fleetwood (with a pair of toilet-chain balls dangling between his legs) are pictured, photographed by Herbert W. The album was designed by Desmond Strobel, while Worthington conceived the cover concept with the band.

album cover received more than its fair share of criticisms at the time, less knee-jerk reactive eyes can now see the artwork as a classic summation of her sound.

The loud, jarring colors mix with pixelated lettering (the kind you'd find on a junky Internet site), African patterns and a repeated call to "Fight On." As she later told , the art was inspired by and cribbed from everything from "dictator fashion to old stickers on the back of cars…

Sure, the sounds are certainly the most essential element, but you can't ignore the role of cover art in making a brilliant album From the fold-out gatefolds of the vinyl era to pull-out liner notes in CD jewel cases to the small icon on a digital player, cover art has changed over the years, but it still defines how we look at a particular album.