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The author also considers the images as essential: his dedication mentions ‘plusieurs nouvelles figures...et divers passages de l’Escriture Sainte, accommodés aux figures et sonets...’.
Dating Sites Reviews has compiled a list of sites along with a brief description. The title of the collection, ‘Esbatement moral’, or ‘moral entertainment’, covers the double ambition of the fables, , to instruct and to please.Staging animals to represent human behaviours, foibles and virtues, is part of the appeal of these short didactic tales.The purpose of the book is clearly the didactic dissemination of a Christian moral.The frontispiece shows animals on a theatrical stage in front of a curtain while men and women are attending the performance.is dedicated to Charles III de Croÿ, prince de Chimay (1560-1612), a keen collector of books and artworks.
The author highlights his religious and educational purpose: in his dedication, the expected association of fables with oral tales and classical fiction, gives way to references to the Gospel and the Holy Writ, mentioning ‘figures’, ‘similitudes’ and ‘paraboles’ as means to access the truth, ‘vive verite’.
The Aesopian sonnets are introduced by Pierre Heyns (1537-1598), who wrote and translated several didactic and pedagogical works.
His preface is directed to the ‘Spectateur et Lecteur’, highlighting the essential combination of the visual and textual aspects of the book.
Although the animals are represented in a naturalistic manner, the cushion used as seat by the lion, king of the animals and the fool’s outfit worn by the monkey contribute to their anthropomorphism.
Animals are privileged actors on the stage of the theatrum mundi: a century later, Jean de La Fontaine presents his collection of fables as ‘Une ample comédie à cent actes divers, / Et dont la scène est l’univers’ (Fables, V, 1, 1668).
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