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She often exchanged favors and money for hard-to-get items ("little comforts," such as cigarettes, lifesavers, gum, etc.) with the "tramps" (the name for inmates). That's because I couldn't understand what you were saying half the time.Bad girl Amy's subtle emotional feelings for female painter and party guest Miss Carson (uncredited Katharine Kurasch) soon disintegrated their troubled marriage. Now maybe a trumpet player isn't much to be, but it's what Art has and was, and that's what I am." Amy: "You and your alter ego. Clift’s character was ultimately tried for murdering his pregnant mistress (although it could have been interpreted as an accident), and there were disguised suggestions that she should abort . I can only tell you all" - and she comforted him: "Tell Mama.When the party disbanded, Rick broke up with Amy (who had an inability to choose one profession). That cheap brass." Rick: "You can do a lot of things, Amy, so you don't do any of them. In an electrifying series of images as they danced together and talked intimately with each other, George finally confessed his love to Angela - hers was the promise of the love of an ideal woman which had now been discovered: Breathlessly, Angela was worried that they were being watched, so they retreated to an outer balcony terrace for more privacy, where she began to confess her love for him in kind: "I love you too. But it is a wonderful feeling.""I'll be at the lake. Tell Mama all" as they closely embraced and kissed passionately, caught up in an all-consuming relationship over which they had no control.Director Fred Zinnemann's Best Picture-winning military drama From Here to Eternity (1953) was based on James Jones' hefty, 859-page smoldering 1951 novel about a number of civilian and military-related individuals and their relationships and circumstances just before the attack on Pearl Harbor. "The scene quickly became one of alienation and conflict, as his probing and hinting denegrated her character. " She strutted down a row of exercising athletes on the floor while swinging two badminton rackets - asking: "Doubles, anyone? He can work better, think better, he can play better, and he can be more of a credit to his community and his government because he is happy. Most transvestites do not want to change their life, their bodies, many of them simply want to change the clothing they wear to that as worn by the opposite sex.Although altered to some degree, it still retained ground-breaking subjects including: prostitution, adultery, military injustice, brutality, corruption, alcohol abuse, racism and murder. She responded with a question: "Now that'd take some figuring. His knowledge of her loose promiscuity and numerable other previous affairs at other outposts nagged at him and produced feelings of ambivalence about her free sexuality. Glen is engaged to be married to Barbara, a lovely intelligent girl."This daring sex farce and romantic comedy was the first major studio-produced film from Hollywood that was released without an approved code seal from the Production Code Administration (PCA).In the film's plot, B-movie hack screenwriter/narrator-gigolo Joe Gillis (William Holden) with financial problems sought to trade himself for monetary support from an aging silent film queen Norma Desmond (Gloria Swanson). You're like those carnival joints I used to work in. Well, here's one for ya - I'm leaving you." Amy: "I'd like to kill you." Rick: "You almost did. You'd better see a doctor."Various elements in the plot of the John Huston adventure film The African Queen (1951), based on the 1935 novel of the same name by English novelist C. Forester, were toned down in its story of the unlikely romance and unmarried cohabitation between: Negative references to missionaries, gross profanities, and nudity were non-existent.

He lived with her in her decaying mansion in Tinseltown. Big flash on the outside, but on the inside nothing but filth." Amy: "I hate you." Rick: "You've always hated me. During their implausible love affair, they kissed once - triumphantly happy after avoiding being shot at by guns from a German fort, and for having miraculously navigated the rapids.

Calamity Jane looked Katie up and down and suddenly realized that women had different bodies than men: They moved in together and painted "Calam and Katie" in a big heart on their ramshackle cabin's front door, and eventually Katie made a domesticated 'lady' out of Calamity by getting her to change from buckskins to jeans to a blouse and skirt. The title of this can only be labeled 'Behind Locked Doors'.

Meanwhile, Calamity entered into competition with Katie for the love of Army Lieutenant Danny Gilmartin (Philip Carey) - and soon switched her love (after becoming a well-behaved, real and true marriageable woman by dressing in Katie's finery) to Wild Bill Hickok. "Irritated and insulted by his implication that she was highly promiscuous, she sarcastically replied: "Not without an adding machine. " When he said he forgot to bring it, she told him: "Then I guess you won't find out, will you? Give this man satin undies, a dress, a sweater and a skirt, or even the lounging outfit he has on, and he's the happiest individual in the world. He dares to enter the street dressed in the clothes he so much desires to wear. The long hair, the makeup, the clothing, the actual contours of a girl.

In 1955, the US Supreme Court unanimously overturned the ruling of the Kansas Supreme Court to uphold the film's banning, declaring it unconstitutional.

The film's court victory was one more indication that the influence of the Production Code was weakening.

(Three states, Maryland, Ohio, and Kansas had banned the film.) The state's censorship board had used current state censorship laws to ban the film and release it without a seal of approval.